My current work explores the intersection of sacred encounters, speculative cosmology, and contemporary UFO/UAP culture, positioning these phenomena as part of a broader human search for meaning and understanding. Through painting, I reinterpret historical experiences of the sacred through a contemporary lens, reflecting shifts in knowledge, belief, and worldview. I am particularly interested in liminal thresholds where the visible and invisible, material and immaterial, appear to converge, and in the questions that emerge from these encounters.

Influenced by my background in architecture, the paintings often function as spatial apertures that invite contemplation of realities beyond immediate perception. Medieval art remains an important reference point, particularly its use of symbolism, geometry, icons, and abstracted space to communicate unseen dimensions of experience. The interconnected relationship between spiritual and material realities found within medieval thought provides a useful framework for considering contemporary unexplained phenomena.

Using luminous, fluorescent, and interactive paints, I create ambiguous orb-like forms that suggest aerial presences emerging from interstellar, trans-dimensional, or human-engineered origins. Situated within contemporary art discourse, this body of work responds to a moment shaped by rapid technological change, artificial intelligence, and renewed interest in metaphysical questions, creating space for curiosity, wonder, and reflection on what it means to be human.